Composition
Technical
Story Telling
Types of Photos
100

Primary subject catches the readers attention first and should be the focal point within the photo.

Center of Interest (CVI)

100

The distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. It is primarily controlled by aperture (f-stop), focal length, and distance to the subject. 

Depth-of-Field

100

The activity or profession of writing for newspapers, magazines, or news websites or preparing news to be broadcast.

Journalism

100

Unlike commercial or documentary work, these images are created for aesthetic, intellectual, or conceptual purposes to convey emotions, ideas, or narratives. Emphasis is on unusual point of view or unique composition and lighting,

Creative (a/k/a Artistic or Expressive)

200

 A photo is composed so the subject is surrounded by content- sky, ground, people- that highlights the subject.

Framing

200

Arrangement of elements in a photo.

Composition

200

A form of visual storytelling, a way to present a narrative through a series of images. Delivers a story using a series of photographs and brings the viewer along a narrative journey. (More images than just a "sequence")

Photo Essay

200

Posed, but not for serious, historical/archive purposes, but a playful or funny staged group photo- often in costumes or with props.

Scrapbook

300

Real or imaginary lines in a photo direct attention to the center of interest.

Leading Lines

300

The tonal gradations between black and white areas in a photograph.

Contrast

300

A wide shot shows an overall picture of an event or scene. It introduces the reader to the story. A medium shot brings readers closer to the action and tells more of the story. A close up or detail shot focuses on a single, interesting subject.

Perspective or Angle-of-View

300

A variety of both horizontal and vertical photos covers a story more effectively.

Format

400

Texture or lines repeats in the foreground or background in a photo.

Repetition of Patterns

400

The sharpness of the subject of a photo.

Focus

400

Telling a story or capturing a moment. Mostly composed of candid pictures.

Photojournalism

400

 Photojournalistic pictures that are a slice of life capture a moment.

Candids

500

When a photo is divided into thirds vertically and horizontally, four intersection points are created. The primary subject should hit near one of these intersection points, a little off center.

Rule of Thirds

500

Refers to the texture of a photo.

Grain (a/k/a Snow or Pixelation)

500

A complete visual story results by shooting before, during and after the event or activity.

Sequence

500

Mug shots or group shots. Formal meant for preserving data.

Reference Photos