Instruments
Gregorian Chant
Polyphony
Ars Nova
Italian Trecento
Socio-Political Goings-Ons
100

Precursor of the oboe

Shawm

100

These instruments accompany Gregorian Chant

None. It was sung unaccompanied.

100

Polyphony is defined as this

Polyphony refers to the simultaneous combination of two or more independent melodic lines.

100

The most prominent composer of this period, known for his motets, masses and secular songs

Guillaume de Machaut

100

He was the most prominent composer of the Italian Trecento

Francesco Landini

100

The Papal residence was moved from Rome to this French city in 1309, affecting the patronage of music.

Avignon

200

 This instrument was used primarily to accompany singing and recite poetry

Lyre

200

Gregorian Chant was primarily sung in this language.

Latin

200

The practice of adding a second voice to a pre-existing plainchant melody (the cantus firmus is known as this

Organum

200
  • A rhythmic feature, common in motets, where patterns repeat independently.

Isorhythm

200

The form typically features a repeating refrain or ritornello after two or more stanzas of similar structure

Balatta

200

The move (mentioned above) resulted in this important period of division in the Catholic Church

The Great Schism

300

The sackbut uses this to change pitch

slide

300

One of these is a feature of Gregorian Chant:

  • a) Fast tempo
  • b) Rhythmically free
  • c) Strong beat

B. Rhythmically Free

300

The major center for the development of polyphony during the late 12th and early 13th centuries was here

The Notre Dame School in Paris

300

Traditionalists criticized Ars Nova mainly for this reason

The use of secular text 

300

The Italian Trecento favored this genre of song, usually for two or three voices.

Madrigal


300

This 14th-century catastrophe killed between one-third and one-half of Europe’s population.

The Black Death (Plague)

400

This instrument needed water to function


Hydraulis - Medieval Water Organ

400

The purpose of Gregorian Chant was this

To support the liturgy

400

Name the two types of Organum

Parallel (parallel motion) and Free (more rhythmically independant)

400

The term Ars Nova comes from a 1320s treatise by this French composer-theorist.

Philippe de Vitry

400

This was the number of vocal lines typical to a madrigal

Two 

400

The Ars Nova era coincided with the growth of these urban institutions, which trained clergy and intellectuals.

Universities

500

The precursor to the violin, but with a flatter body and fewer strings, is called...

Vielle

500

This describes the texture of Gregorian Chant

Monophonic

500

These were the two pioneering composers of early polyphany

Léonin and Pérotin

500

A more precise rhythmic innovation introduced during this period.

  • mensural rhythm
500

An instrument frequently used to accompany Balletas, and on which Landini was said to be a virtuoso

Organ

500

The Hundred Years’ War began in 1337 between France and this country.

England

600

Wind instrument typically played in pairs, and associated with the god Dionysos.

Aulos

600

Gregorian chants were written using these types of scales.

The eight modes

600

The chant melody, sung in elongated notes in the tenor, is known as this.

Cantus Firmus

600

The new notational device that allowed for more precise rhythm, especially syncopation.

The Minim

600

The motet originated in the early 13th century,
developed from a type of polyphonic compositionin which a new text (usually in Latin or French) was added to
the upper voice (or voices) of an existing plainchant or
organum.

The clausula

600

Disputes over complex polyphony in church reflected a broader medieval debate about this balance.

Sacred vs. Secular

(Faith vs. Reason)

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