Elements
Principles
Media/Techniques
Processes
You Oughtta Know
100

a mark that spans a distance between two points

LINE

100

an organized repetition of elements

PATTERN

100

We use this technique to make 2-dimensional shapes appear to be more 3-dimensional forms.

SHADING

100

gluing multiple images, text and words, and other found objects to create one whole work of art

COLLAGE

100

red, yellow, blue

PRIMARY COLORS

200

a three-dimensional object defined by length, width, and depth

FORM

200

when a specific element creates a focal point

EMPHASIS

200

This type of paint is more translucent than acrylic and can come in a solid palette.

WATERCOLOR

200

The artist draws an arrangement of objects from observation using value to reflect reality.

STILL LIFE

200

orange, green, violet

SECONDARY COLORS

300

how something feels or looks like it feels

TEXTURE

300

when elements in an artwork are harmonious

UNITY

300

When using watercolor paint, which colors should be added first: light or dark?

LIGHT COLORS

300

using glue and paper to create a 3-dimensional sculpture

PAPIER MACHE

300

a building in which artworks are stored and exhibited

MUSEUM

400

the range of light to dark

VALUE

400

the relative size of a subject compared to the rest of the artwork

PROPORTION

400

the process for removing air bubbles from clay

WEDGING

400

This type of drawing helps you sketch out the rough shapes and forms of an artwork.

GESTURE DRAWING

400

an analysis of an artwork, where feedback can be given

CRITIQUE

500
areas around, between, or within an artwork (positive and negative)

SPACE

500

distribution of visual weight in an artwork

BALANCE

500

the process for joining two pieces of clay together

SCORE AND SLIP

500

This is the type of perspective we use when creating landscapes.

ATMOSPHERIC PERSPECTIVE

500

a written description of your own artwork

ARTIST'S STATEMENT

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